Resume
Lauren Rosenbloom
Production Designer + Art Director
ABOUT ME
Production Designer and Art Director with more than eighteen years of experience creating visual worlds for film and television. I've led the design and execution of over 30 projects across studios and independent productions, consistently delivering cohesive, story-driven environments that elevate narrative and performance.
VOCATIONAL TRAINING
Southern California Institute of Architecture (SCI_Arc) | 2003–2006
Masters of Architecture
University of Oregon | 1994–1999
Bachelor of Fine Arts – Photography
PROFESSIONAL AFFILIATIONS
Art Directors Guild / Local 800
Member since 2011
CORE SKILLS
I bring strong production design and art direction skills grounded in architectural design, world-building, and cohesive visual storytelling. I lead art departments, manage budgets and schedules, coordinate construction and vendors, and solve on-set problems quickly. Skilled in Rhino 3D, Adobe Creative Suite, Canva, Google docs and AI visualization, with growing experience in Twinmotion and Unreal Engine. I excel at concepts, look books, and narrative-driven sets, and I'm known for being collaborative, calm under pressure, and clear in communicating with directors, producers, and creative teams.
WORK EXPERIENCE
The Passings – Independent Feature Film
Production Designer | 2025
I designed a stylized sci-fi world for The Passings, overseeing all sets, props, and visuals to create a cohesive, atmospheric, resourceful production on a micro-budget.
Suits LA – NBC Universal – TV Series
Supervising Art Director | 2025–2026
Supervised design execution for all sets on Suits LA, guiding construction, graphics, and on-set art direction to establish a polished, cohesive visual identity for the series.
James Cameron – 3D Camera Test Set
Production Designer | 2024
Designed a military bar set for James Cameron’s 3D camera company, showcasing Avatar technology to major clients, tech leaders, and filmmakers including Steven Spielberg.
Fly Me To The Moon – Apple+ – Feature Film
Supervising Art Director | 2023
Oversaw large-scale set builds, period styling, and departmental coordination, ensuring cohesive visual execution and supporting the director’s vision throughout the production’s complex creative and technical demands.
Electric State – Netflix – Feature Film
Art Director | 2022
Collaborated closely with mentor Dennis Gassner, leading fabrication and detailing of futuristic environments while coordinating construction and on-set art direction across complex visual and practical effects.
Werewolf By Night – Marvel, Disney + — TV Movie
Supervising Art Director | 2021
Working under the guidance of Production designer Maya Shimoguchi on Werewolf by Night, leading art department coordination, overseeing builds and sets, translating design vision into production.
Hawkeye –Marvel– TV Series, Reshoots
Art Director | 2021
Working with Maya Shimoguchi, reshooting and building new and existing key sets to complete the series.
The Gray Man – Netflix, AGBO — Feature Film
Art Director | 2020
Co-designed sets with my mentor Dennis Gassner, overseeing design-build-dress phases, coordinating all departments, and carrying out his vision with full trust.
Blind Sight — Independent Short Film
Production Designer | 2019
I was fortunate to collaborate with writer-director-actor Corbin Reed to create an immersive environment supporting the film’s intimate, emotionally intense drama and unfolding love story.
The Rookie – ABC— TV Series, 26 Episodes
Art Director | 2019
Art Director for Lori Agostino on The Rookie, overseeing set design, construction, and dressing, coordinating across departments, and delivering detailed episodic environments supporting fast-paced production schedules and storytelling needs.
Greyhound – Apple + — Feature Film
Art Director | 2018
Art Director for David Crank; overseeing set builds, coordinating departments, and executing detailed WWII naval environments supporting the film’s disciplined, immersive visual storytelling.
Equalizer 2 – Sony Pictures— Feature Film
Art Director | 2017
Art Director for Naomi Shohan; overseeing set design, location work, construction, and dressing, coordinating departments, and executing grounded urban environments supporting the film’s tense, character-driven action storytelling.
Chicago Med– NBC – TV Series, 28 Episodes
Art Director | 2015-2017
Art Director for Lori Agostino; managing hospital set builds, coordinating art department teams, and delivering authentic medical environments under tight episodic schedules and demanding network television production timelines.
Major Crimes–TNT– TV Series, 12 Episodes
Art Director | 2015-2017
Art Director for Paul Eads; overseeing set design, construction, and dressing, coordinating departments, and delivering detailed investigative and courtroom environments and locations supporting fast-paced episodic storytelling.
Papillon– Bleeker Street Media- Feature Film
Set Designer | 2017
Angie Tribeca — TV Series — 10 episodes
Assistant Art Director | 2016
Ant-Man - Marvel — Feature Film
Assistant Art Director | 2015
Into the Woods - Disney - Feature Film
Assistant Art Director | 2014
Let's Be Cops - 20th Century Fox - Feature Film
Assistant Art Director | 2014
The Crazy Ones - CBS - TV Series - 11 episodes
Assistant Art Director | 2013–2014
Two Wrongs - 20th Century Fox - TV Movie
Assistant Art Director | 2013
World War Z — Paramount Pictures - Feature Film
Assistant Art Director | 2013
42 — Warner Bros - Feature Film
Assistant Art Director | 2012
References upon request.